<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-2830653173436388758</id><updated>2011-04-21T23:48:36.369-04:00</updated><title type='text'>4NAXISM MOVEMENT</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://4naxismmovement.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2830653173436388758/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://4naxismmovement.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>4NAXISM MOVEMENT</name><uri>http://www.blogger.com/profile/05032826600472126711</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>16</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-2830653173436388758.post-5603557020080786533</id><published>2009-03-24T02:21:00.003-04:00</published><updated>2009-03-24T02:27:57.576-04:00</updated><title type='text'>BAD BOYS: How to handle the POLICE~~~</title><content type='html'>&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;span style="font-family: times new roman;" id="listtab-1" name="listtab_1" class="block"&gt;&lt;span style="display: block;" id="objectlist-1"&gt;&lt;span id="object2"&gt;&lt;span id="object-row-2"&gt;BUSTED  The Citizen Guide to Surviving Police Encounters&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;http://www.megaupload.com/?d=NEBLINV0&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);font-size:130%;" &gt;&lt;br /&gt;&lt;span style="font-family: times new roman;" id="listtab-1" name="listtab_1" class="block"&gt;&lt;span style="display: block;" id="objectlist-1"&gt;&lt;span id="object9"&gt;&lt;span id="object-row-9"&gt;Talk to the Police by Professor James Duane&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;http://www.megaupload.com/?d=9RF0FINC&lt;br /&gt;&lt;span id="listtab-1" name="listtab_1" class="block"&gt;&lt;span style="display: block;" id="objectlist-1"&gt;&lt;span id="object8"&gt;&lt;span id="object-row-8"&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);font-size:130%;" &gt;&lt;span style="font-family: times new roman;"&gt;Talk to the Police by Officer George Bruch&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;http://www.megaupload.com/?d=XWE45RA1&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2830653173436388758-5603557020080786533?l=4naxismmovement.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://4naxismmovement.blogspot.com/feeds/5603557020080786533/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://4naxismmovement.blogspot.com/2009/03/bad-boys-how-to-handle-police.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2830653173436388758/posts/default/5603557020080786533'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2830653173436388758/posts/default/5603557020080786533'/><link rel='alternate' type='text/html' href='http://4naxismmovement.blogspot.com/2009/03/bad-boys-how-to-handle-police.html' title='BAD BOYS: How to handle the POLICE~~~'/><author><name>4NAXISM MOVEMENT</name><uri>http://www.blogger.com/profile/05032826600472126711</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2830653173436388758.post-6858648664490760411</id><published>2009-03-08T05:55:00.000-04:00</published><updated>2009-03-08T06:00:54.876-04:00</updated><title type='text'>New York Art Scene</title><content type='html'>&lt;span style="font-family: courier new; font-weight: bold; color: rgb(102, 0, 204);"&gt;Basquiat&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;http://www.megaupload.com/?d=JWAIYAQ0&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new; font-weight: bold; color: rgb(0, 51, 0);"&gt;Diane Arbus&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;http://www.megaupload.com/?d=L8XIZX3O&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new; font-weight: bold; color: rgb(51, 51, 51);"&gt;Keith Haring&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;(combine Haring Documentary with Hsplit program)&lt;br /&gt;&lt;br /&gt;http://www.megaupload.com/?d=WM5WEUNC&lt;br /&gt;http://www.megaupload.com/?d=OIQ6GCLU&lt;br /&gt;http://www.megaupload.com/?d=OKBT1YW1&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2830653173436388758-6858648664490760411?l=4naxismmovement.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://4naxismmovement.blogspot.com/feeds/6858648664490760411/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://4naxismmovement.blogspot.com/2009/03/new-york-art-scene.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2830653173436388758/posts/default/6858648664490760411'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2830653173436388758/posts/default/6858648664490760411'/><link rel='alternate' type='text/html' href='http://4naxismmovement.blogspot.com/2009/03/new-york-art-scene.html' title='New York Art Scene'/><author><name>4NAXISM MOVEMENT</name><uri>http://www.blogger.com/profile/05032826600472126711</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2830653173436388758.post-756707012347009566</id><published>2009-03-08T05:13:00.000-04:00</published><updated>2009-03-08T06:11:23.351-04:00</updated><title type='text'>.........</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://i439.photobucket.com/albums/qq111/artnlife/main.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 640px; height: 294px;" src="http://i439.photobucket.com/albums/qq111/artnlife/main.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt; &lt;span style="color: rgb(204, 0, 0);"&gt;Eyes On The Prize Series: &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;http://www.pbs.org/amex/eyesontheprizehttp://en.wikipedia.org/wiki/Eyes_on_the_Prize&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Eyes on the Prize - 01- Awakenings, 1954-1956 (PBS)&lt;br /&gt;http://www.megaupload.com/?d=VEFFYG2I&lt;br /&gt;&lt;br /&gt;Eyes on the Prize - 02 - Fighting Back, 1957-1962 (PBS)&lt;br /&gt;http://www.megaupload.com/?d=G1IH4RIS&lt;br /&gt;&lt;br /&gt;Eyes on the Prize - 03 - Ain't Scared of Your Jails, 1960-1961 (PBS) http://www.megaupload.com/?d=6LDGL7P4&lt;br /&gt;&lt;br /&gt;Eyes on the Prize - 04 - No Easy Walk 1962-1966 (PBS)&lt;br /&gt;http://www.megaupload.com/?d=HODJ7EIY&lt;br /&gt;&lt;br /&gt;Eyes on the Prize - 05 - Mississippi, Is This America, 1962-1964 (PBS) http://www.megaupload.com/?d=S8N74IWQ&lt;br /&gt;&lt;br /&gt;Eyes on the Prize - 06 - Bridge to Freedom,1965 (PBS)&lt;br /&gt;http://www.megaupload.com/?d=7T2BG6MZ&lt;br /&gt;&lt;br /&gt;Eyes on the Prize - 07 - The Time Has Come, 1964-1965 (PBS)&lt;br /&gt;http://www.megaupload.com/?d=5Z6SONZB&lt;br /&gt;&lt;br /&gt;Eyes on the Prize - 08 - Two Societies, 1965-1968 (PBS)&lt;br /&gt;http://www.megaupload.com/?d=RTP2H1JV&lt;br /&gt;&lt;br /&gt;Eyes on the Prize - 09 - Power! 1967-1968 (PBS)&lt;br /&gt;http://www.megaupload.com/?d=T89KMYN9&lt;br /&gt;&lt;br /&gt;Eyes on the Prize - 10 - The Promised Land, 1967-1968 (PBS)&lt;br /&gt;http://www.megaupload.com/?d=STNOLTWY&lt;br /&gt;&lt;br /&gt;Eyes on the Prize - 11 - Ain't Gonna Shuffle No More, 1964-1972 (PBS) http://www.megaupload.com/?d=NFUGXBJX&lt;br /&gt;&lt;br /&gt;Eyes on the Prize - 12 - A Nation of Law (question mark), 1967-1968 (PBS) http://www.megaupload.com/?d=PITLQV41&lt;br /&gt;&lt;br /&gt;Eyes on the Prize - 13 - The Keys To The Kingdom, 1974-1980 (PBS) http://www.megaupload.com/?d=WVL04O3U&lt;br /&gt;&lt;br /&gt;Eyes on the Prize - 14 - Back To The Movement, 1979-mid 1980's (PBS) http://www.megaupload.com/?d=FDXQLRI9&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(204, 0, 0);font-size:130%;" &gt;Protagonist - LIMITED.DVDRip.XviD-NEPTUNE.AVI (2007)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.blogger.com/%20http://www.sharetera.com/upimg/allimg/071230/0333150.jpg%20"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 353px; height: 520px;" src="http://www.sharetera.com/upimg/allimg/071230/0333150.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Jessica Yu’s documentary explores the relationship between human life and Euripidean dramatic structure by weaving together the stories of four men: German terrorist, a bank robber, an “ex-gay” evangelist, and a martial arts student.&lt;br /&gt;&lt;br /&gt;IMDB&lt;br /&gt;&lt;br /&gt;http://www.imdb.com/title/tt0905361/&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;RAPIDSHARE&lt;br /&gt;http://rapidshare.com/files/79873838/nep-prota-xvid.part1.rar&lt;br /&gt;http://rapidshare.com/files/79873967/nep-prota-xvid.part2.rar&lt;br /&gt;http://rapidshare.com/files/79874102/nep-prota-xvid.part3.rar&lt;br /&gt;http://rapidshare.com/files/79872911/nep-prota-xvid.part4.rar&lt;br /&gt;http://rapidshare.com/files/79873306/nep-prota-xvid.part5.rar&lt;br /&gt;http://rapidshare.com/files/79873512/nep-prota-xvid.part6.rar&lt;br /&gt;http://rapidshare.com/files/79873706/nep-prota-xvid.part7.rar&lt;br /&gt;http://rapidshare.com/files/79873708/nep-prota-xvid.part8.rar&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="%20http://i439.photobucket.com/albums/qq111/artnlife/NVG9514-03.jpg%20"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 277px; height: 500px;" src="http://i439.photobucket.com/albums/qq111/artnlife/NVG9514-03.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Filmmaker Isaac Julien uses film clips and interviews to illustrate the history of the so-called "blaxploitation" genre.&lt;br /&gt;&lt;br /&gt;Source: DVDRip&lt;br /&gt;File size: 716MB | Resolution: 640 x 480&lt;br /&gt;Video: OpenDivX (DivX 4.0 and later), 25.000 fps, ~1755.4 kbps | Audio: MPEG-1 Layer 3 (MP3), 128.0 kbit/s, 48000 Hz, stereo&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Download Links:&lt;br /&gt; http://rapidshare.com/files/141943707/Documentary_BaadasssssCinema_2004.part1.rar&lt;br /&gt;&lt;br /&gt;http://rapidshare.com/files/141952411/Documentary_BaadasssssCinema_2004.part2.rar&lt;br /&gt;http://rapidshare.com/files/141960074/Documentary_BaadasssssCinema_2004.part3.rar&lt;br /&gt;http://rapidshare.com/files/141971823/Documentary_BaadasssssCinema_2004.part4.rar&lt;br /&gt;http://rapidshare.com/files/141978694/Documentary_BaadasssssCinema_2004.part5.rar &lt;br /&gt;http://rapidshare.com/files/141992663/Documentary_BaadasssssCinema_2004.part6.rar&lt;br /&gt;http://rapidshare.com/files/142003006/Documentary_BaadasssssCinema_2004.part7.rar&lt;br /&gt;http://rapidshare.com/files/142006471/Documentary_BaadasssssCinema_2004.part8.rar&lt;br /&gt;&lt;br /&gt;Password: westinghouse&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2830653173436388758-756707012347009566?l=4naxismmovement.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://4naxismmovement.blogspot.com/feeds/756707012347009566/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://4naxismmovement.blogspot.com/2009/03/various.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2830653173436388758/posts/default/756707012347009566'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2830653173436388758/posts/default/756707012347009566'/><link rel='alternate' type='text/html' href='http://4naxismmovement.blogspot.com/2009/03/various.html' title='.........'/><author><name>4NAXISM MOVEMENT</name><uri>http://www.blogger.com/profile/05032826600472126711</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2830653173436388758.post-3082476336367243759</id><published>2009-03-08T05:09:00.000-04:00</published><updated>2009-03-08T06:15:10.131-04:00</updated><title type='text'>REVOLUTION OS (Linux story) or HOW LINUX WILL KICK MICROSOFT'S ASS!!!</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://farm3.static.flickr.com/2322/2276721446_f58dd6858b_b.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 600px; height: 500px;" src="http://farm3.static.flickr.com/2322/2276721446_f58dd6858b_b.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold; font-family: times new roman;"&gt;Revolution OS (Linux Story)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: times new roman;"&gt;English | XviD | 512×384 | Runtime: 85 min | 701.37 MB&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: times new roman;"&gt;REVOLUTION OS tells the inside story of the hackers who rebelled against the proprietary software model and Microsoft to create GNU/Linux and the Open Source movement.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: times new roman;"&gt;On June 1, 2001, Microsoft CEO Steve Ballmer said “Linux is a cancer that attaches itself in an intellectual property sense to everything it touches.”&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: times new roman;"&gt;Microsoft fears GNU/Linux, and rightly so. GNU/Linux and the Open Source &amp;amp; Free Software movements arguably represent the greatest threat to Microsoft’s way of life. Shot in cinemascope on 35mm film in Silicon Valley, REVOLUTION OS tracks down the key movers and shakers behind Linux, and finds out how and why Linux became such a potent threat.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: times new roman;"&gt;REVOLUTION OS features interviews with Linus Torvalds, Richard Stallman, Bruce Perens, Eric Raymond, Brian Behlendorf, Michael Tiemann, Larry Augustin, Frank Hecker, and Rob Malda. To view the trailer or the first eight minutes go to the ifilm website for REVOLUTION OS.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: times new roman;"&gt;Companies such as Hewlett-Packard, IBM, Oracle, Wipro, Ogilvy &amp;amp; Mather, OSTG, and Dreamworks Animation have rented REVOLUTON OS for private theatrical screenings. It has also screened in numerous film festivals including South By Southwest Film Festival, the Atlanta Film &amp;amp; Video Festival, Boston Film Festival, and Denver International Film Festival. REVOLUTION OS won Best Documentary at both the Savannah Film &amp;amp; Video Festival and the Kudzu Film Festival.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Download:&lt;br /&gt; http://rapidshare.com/files/176991253/RevolutionOS.Linux.story.myTVblog.org.avi.001&lt;br /&gt; http://rapidshare.com/files/176991462/RevolutionOS.Linux.story.myTVblog.org.avi.002&lt;br /&gt; http://rapidshare.com/files/176991117/RevolutionOS.Linux.story.myTVblog.org.avi.003&lt;br /&gt; http://rapidshare.com/files/176991147/RevolutionOS.Linux.story.myTVblog.org.avi.004&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2830653173436388758-3082476336367243759?l=4naxismmovement.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://4naxismmovement.blogspot.com/feeds/3082476336367243759/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://4naxismmovement.blogspot.com/2009/03/revolution-os-linux-story-or-how-linux.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2830653173436388758/posts/default/3082476336367243759'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2830653173436388758/posts/default/3082476336367243759'/><link rel='alternate' type='text/html' href='http://4naxismmovement.blogspot.com/2009/03/revolution-os-linux-story-or-how-linux.html' title='REVOLUTION OS (Linux story) or HOW LINUX WILL KICK MICROSOFT&apos;S ASS!!!'/><author><name>4NAXISM MOVEMENT</name><uri>http://www.blogger.com/profile/05032826600472126711</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://farm3.static.flickr.com/2322/2276721446_f58dd6858b_t.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2830653173436388758.post-5297508843736659544</id><published>2009-03-08T04:59:00.001-04:00</published><updated>2009-03-08T07:26:51.811-04:00</updated><title type='text'>A Summer in the Cage</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.filmmakermagazine.com/blog/uploaded_images/asitcfinalposterlayout12-754957.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 600px;" src="http://www.filmmakermagazine.com/blog/uploaded_images/asitcfinalposterlayout12-754957.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;"A Summer in the Cage" is filmmaker Ben Selkow's feature-length documentary chronicling his friend Sam's battle with manic-depressive illness, also known as bipolar disorder. The film follows Sam for seven years as he suffers delusional manic episodes, battles paralyzing depressions, and tries to escape the legacy of his bipolar father who committed suicide when Sam was eight years old. By showing the difficult emotional impact of being bipolar on Sam, his family, all those who care about him and the filmmaker, "A Summer in the Cage" hopes to put a human face on an illness that affects millions of American families. But as this dramatic story unfolds and heads to an explosive standoff, it also becomes a unique tale about friendship and the ethical responsibilities of a documentary filmmaker.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;http://www.imdb.com/title/tt1196701/&lt;br /&gt;&lt;br /&gt;http://rapidshare.com/files/165128463/A.Summer.In.The.Cage.part1.rar&lt;br /&gt;http://rapidshare.com/files/165132610/A.Summer.In.The.Cage.part2.rar&lt;br /&gt;http://rapidshare.com/files/165136712/A.Summer.In.The.Cage.part3.rar&lt;br /&gt;http://rapidshare.com/files/165140774/A.Summer.In.The.Cage.part4.rar&lt;br /&gt;http://rapidshare.com/files/165142654/A.Summer.In.The.Cage.part5.rar&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2830653173436388758-5297508843736659544?l=4naxismmovement.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://4naxismmovement.blogspot.com/feeds/5297508843736659544/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://4naxismmovement.blogspot.com/2009/03/summer-in-cage.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2830653173436388758/posts/default/5297508843736659544'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2830653173436388758/posts/default/5297508843736659544'/><link rel='alternate' type='text/html' href='http://4naxismmovement.blogspot.com/2009/03/summer-in-cage.html' title='A Summer in the Cage'/><author><name>4NAXISM MOVEMENT</name><uri>http://www.blogger.com/profile/05032826600472126711</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2830653173436388758.post-5920783373999487823</id><published>2009-03-08T04:50:00.000-04:00</published><updated>2009-03-08T07:14:03.913-04:00</updated><title type='text'>.........</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.blogger.com/%20http://i34.tinypic.com/2uhxs3k.jpg%20"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 361px; height: 510px;" src="http://i34.tinypic.com/2uhxs3k.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);font-size:130%;" &gt;&lt;span style="font-family:trebuchet ms;"&gt; Syd Barrett - Under Review (2005)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;dvdrip xvid&lt;br /&gt;Dimensions - 592x432&lt;br /&gt;Audio - 128kbps&lt;br /&gt;Size - 699mb&lt;br /&gt;&lt;br /&gt;Runtime: 63 Minutes&lt;br /&gt;Language: English&lt;br /&gt;Country: UK&lt;br /&gt;Color: Colour&lt;br /&gt;IMDb Link: N/A&lt;br /&gt;[/CODE]&lt;br /&gt;Director: N/A&lt;br /&gt;Cast:&lt;br /&gt;David Parker&lt;br /&gt;Nigel Williamson&lt;br /&gt;Hugh Hopper&lt;br /&gt;Chris Welch&lt;br /&gt;Malcolm Dome&lt;br /&gt;&lt;br /&gt;Description: While his former bandmates in Pink Floyd have become global superstars, Syd Barrett remains an enigma and a complete recluse. But it was Syd who originally founded the band, immediately becoming its chief songwriter and lead guitarist, and, many would say, the force who dominated the group throughout its most creative period.&lt;br /&gt;&lt;br /&gt;Syd Barrett: Under Review features rare live and studio performances from this hugely influential and legendary musician, interspersed with the independent review and criticism from a panel of esteemed experts. These include; Melody Maker contributor during the 1960s and early champion of Syd Barrett, Chris Welch; Barrett biographer and all around expert, David Parker; Uncut magazine's features editor, Nigel Williamson; former Soft Machine bassist who backed Syd on Madcap Laughs, Hugh Hopper; Total Rock DJ and journalist, Malcolm Dome and many more.&lt;br /&gt;&lt;br /&gt;The film also features rarely seen promo films, interview footage with Syd and other Floyd members, TV clips and a host of other features. Covering Syd Barrett's time with Pink Floyd as well as his solo years.&lt;br /&gt;&lt;br /&gt;Download Links:&lt;br /&gt;http://rapidshare.com/files/164981912/SB_-_UR.part1.rar&lt;br /&gt;http://rapidshare.com/files/164996930/SB_-_UR.part2.rar&lt;br /&gt;http://rapidshare.com/files/165012145/SB_-_UR.part3.rar&lt;br /&gt;http://rapidshare.com/files/165029357/SB_-_UR.part4.rar&lt;br /&gt;http://rapidshare.com/files/165045943/SB_-_UR.part5.rar&lt;br /&gt;http://rapidshare.com/files/165062697/SB_-_UR.part6.rar&lt;br /&gt;http://rapidshare.com/files/165079692/SB_-_UR.part7.rar&lt;br /&gt;http://rapidshare.com/files/165083288/SB_-_UR.part8.rar&lt;br /&gt;&lt;br /&gt;Rar Password: None&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://farm4.static.flickr.com/3280/3288976499_a0c1dba3e1_o.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 259px; height: 475px;" src="http://farm4.static.flickr.com/3280/3288976499_a0c1dba3e1_o.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Streetwise (1984)&lt;br /&gt;&lt;br /&gt;VHS rip. Video static can be heard.&lt;br /&gt;&lt;br /&gt;Rating: 8.1/10&lt;br /&gt;Runtime: 91 min.&lt;br /&gt;Language: English&lt;br /&gt;Country: USA&lt;br /&gt;Color: Color&lt;br /&gt;IMDb Link: [url]http://www.imdb.com/title/tt0088196/[/url]&lt;br /&gt;&lt;br /&gt;[CODE]Director: Martin Bell&lt;br /&gt;Cast:&lt;br /&gt;Baby Gramps ... Himself&lt;br /&gt;Dewayne ... Himself&lt;br /&gt;Kim ... Herself&lt;br /&gt;Lillie ... Herself&lt;br /&gt;Lulu ... Herself&lt;br /&gt;Munchkin ... Himself&lt;br /&gt;Patti ... Herself&lt;br /&gt;Rat ... Himself&lt;br /&gt;Shadow ... Himself&lt;br /&gt;Shellie ... Herself&lt;br /&gt;Tiny ... Herself&lt;br /&gt;&lt;br /&gt;Description: ''Streetwise,'' a study of young teen-age vagrants living in Seattle, began as an article (by Cheryl McCall) and photo-essay (by Mary Ellen Mark) in Life magazine. As a feature film, produced by Miss McCall and directed by Martin Bell, it still has the quality of a photo-essay observing a number of homeless teen- agers without structuring a narrative or otherwise commenting on what is seen. This shapelessness, and the unacknowledged presence of the camera in what seem to be small, intimate moments, would hurt the film if its interview footage were not so unmistakably authentic and, at times, so wrenching. ''Streetwise'' has its touches of sensationalism, but much of it is all too real.&lt;br /&gt;&lt;br /&gt;One of the film's young subjects is Tiny, a 14-year-old prostitute who says that, for all she knows, one of the older men she ''dates'' (e.g., visits briefly in his automobile) could be her father. Tiny's mother, a waitress with a drinking problem, has married a man her daughter doesn't get along with; ''stepdads'' are a big problem for several of the girls who are interviewed. The camera follows Tiny to visit her mother on the job and have a free hamburger, and then goes along on several visits home. The mother, who looks not much older than Tiny but a great deal wearier, thinks her daughter's prostitution is ''just a phase'' she will outgrow.&lt;br /&gt;&lt;br /&gt;One of the things that gives ''Streetwise'' its impact is an event the film makers could not have anticipated: the suicide of one of the half-dozen subjects they studied most closely. The film does not overemphasize the sordidness of street life or the bleak prospects it holds for these people's futures (if anything, many of the interviewees are captured at the height of their energy and bravado). But the sight of a 16-year-old's funeral attended by one parent, three social workers and just about no one else is as sad and moving a commentary as any other that could have been offered.&lt;br /&gt;&lt;br /&gt;Download Links:&lt;br /&gt;http://rapidshare.com/files/185633310/Streetwise__Mary_Ellen_Mark_.part1.rar&lt;br /&gt;http://rapidshare.com/files/185634018/Streetwise__Mary_Ellen_Mark_.part2.rar&lt;br /&gt;http://rapidshare.com/files/185649770/Streetwise__Mary_Ellen_Mark_.part3.rar&lt;br /&gt;http://rapidshare.com/files/185649765/Streetwise__Mary_Ellen_Mark_.part4.rar&lt;br /&gt;&lt;br /&gt;Rar Password: None&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://i42.tinypic.com/2d486g.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 436px; height: 617px;" src="http://i42.tinypic.com/2d486g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Salvador Allende (2004)&lt;br /&gt;&lt;br /&gt;Rating: 7.5/10&lt;br /&gt;Runtime: 100&lt;br /&gt;Language: Spanish (english subs included)&lt;br /&gt;Country: Belgium | Chile | France | Germany | Spain | Mexico&lt;br /&gt;Color: Black and White /Color&lt;br /&gt;IMDb Link:  http://www.imdb.com/title/tt0418129/&lt;br /&gt;&lt;br /&gt;Director: Patricio Guzmán&lt;br /&gt;Cast:&lt;br /&gt;Salvador Allende ... Himself (archive footage)&lt;br /&gt;Patricio Guzmán ... Narrator (voice: Spanish version)&lt;br /&gt;Jacques Bidou ... Narrator (voice: French version)&lt;br /&gt;Alejandro Gonzáles ... Himself (as Alejandro 'Mono' Gonzáles)&lt;br /&gt;Ema Malig ... Herself&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Like Salvador Allende, Patricio Guzmán has dedicated his life to Chile, his country. It seems entirely normal, then, that he might consecrate a documentary to his political hero, martyr of September 11, 1973. More than a simple portrait, it is an inspired film in which Guzmán manages to take a considerable distance in relation to the subject. Taking archive images, survivor’s testimonies and a never-before-heard political analysis, he shows the enthusiasm that Allende’s victory in 1970 represented for an entire people, without eluding to the errors in judgment or, above all, showing the political and economical vise grip in which Allende found himself imprisoned. A very rich film, at times quite emotive, that breaks the taboo of silence about a beacon personality of the twentieth century.&lt;br /&gt;&lt;br /&gt;Download Links:&lt;br /&gt;http://rapidshare.com/files/197339443/Sal_Alle.part1.rar&lt;br /&gt;http://rapidshare.com/files/197347372/Sal_Alle.part2.rar&lt;br /&gt;http://rapidshare.com/files/197355583/Sal_Alle.part3.rar&lt;br /&gt;http://rapidshare.com/files/197363375/Sal_Alle.part4.rar&lt;br /&gt;http://rapidshare.com/files/197370849/Sal_Alle.part5.rar&lt;br /&gt;http://rapidshare.com/files/197430077/Sal_Alle.part6.rar&lt;br /&gt;http://rapidshare.com/files/197434793/Sal_Alle.part7.rar&lt;br /&gt;http://rapidshare.com/files/197436303/Sal_Alle.part8.rar&lt;br /&gt;&lt;br /&gt;Rar Password: none&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://farm4.static.flickr.com/3641/3289021635_6947fdea5e_o.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 624px; height: 480px;" src="http://farm4.static.flickr.com/3641/3289021635_6947fdea5e_o.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Reassemblage (1983)&lt;br /&gt;&lt;br /&gt;[CODE]File Name .........................................: Reassemblage.avi&lt;br /&gt;File Size (in bytes) ............................: 524,302,336 bytes&lt;br /&gt;Runtime ............................................: 39:37.356&lt;br /&gt;&lt;br /&gt;Video Codec ...................................: XviD 1.1.2 Final&lt;br /&gt;Frame Size ......................................: 624x480 (AR: 1.300)&lt;br /&gt;FPS .................................................: 23.976&lt;br /&gt;Video Bitrate ...................................: 1563 kb/s&lt;br /&gt;Bits per Pixel ...................................: 0.218 bpp&lt;br /&gt;B-VOP, N-VOP, QPel, GMC.............: [B-VOP], [], [], []&lt;br /&gt;&lt;br /&gt;Audio Codec ...................................: 0x0055 MPEG-1 Layer 3&lt;br /&gt;Sample Rate ...................................: 48000 Hz&lt;br /&gt;Audio Bitrate ...................................: 192 kb/s [2 channel(s)] CBR&lt;br /&gt;No. of audio streams .......................: 1[/CODE]&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Runtime: 40&lt;br /&gt;Language: English (English and portuguese (br) fansubs)&lt;br /&gt;Country: USA&lt;br /&gt;Color: Color&lt;br /&gt;IMDb Link: [url]http://www.imdb.com/title/tt0084577/[/url]&lt;br /&gt;&lt;br /&gt;Director: T. Minh-ha Trinh&lt;br /&gt;Cast:&lt;br /&gt;No cast - it's a documentary!&lt;br /&gt;&lt;br /&gt;Description: Filmmaker, writer, poet, literary theorist, educator, musical composer, and (un/non)ethnographer, Trinh T. Minh-ha builds much of her work around the theme of the "other" (the persona one considers him/herself to be in relation to), challenging cultural theorists' traditional notions of the subject or/subjected duality. She performed three year's worth of ethnographic field research in West Africa the Research Expedition Program of the University of California, Berkeley. This fieldwork led in part to her first film, Reassemblage, which was filmed in Senegal and released in 1982.&lt;br /&gt;&lt;br /&gt;Trinh's views on traditional ethnographic documentaries are hinted at in one of her voice-overs that occurs early in the film. She states: "I do not intend to speak about/Just speak near by." The film is a montage of fleeting images from Senegal and includes almost no narration, save for the occasional statements by Trinh, none of which attempt to assign meaning to the seconds-long scenes. Where one expects an omniscient, scientific voice to override the moving pictures in order to overlay a mapping schema of "meaning," there is sometimes music, sometimes no sound, sometimes Trinh assigning a reality or sign to the culture it hopes to "know" by viewing a movie, she refuses to make the film be "about" something, refuses to speak about the images, and denies the hopeful observer the opportunity to record, categorize, and save an("other") culture. The viewer is left with a sense of disorientation, in that no meaning was assigned to any of the images in the film, and yet the viewer's mind was constantly expecting such designations.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Download Links:&lt;br /&gt; http://rapidshare.com/files/122575219/Trinh_T._Minh-ha_-_1983_-_Reassemblage.part1.rar&lt;br /&gt; http://rapidshare.com/files/122581814/Trinh_T._Minh-ha_-_1983_-_Reassemblage.part2.rar&lt;br /&gt; http://rapidshare.com/files/122587622/Trinh_T._Minh-ha_-_1983_-_Reassemblage.part3.rar[&lt;br /&gt; http://rapidshare.com/files/122593491/Trinh_T._Minh-ha_-_1983_-_Reassemblage.part4.rar&lt;br /&gt; http://rapidshare.com/files/122600660/Trinh_T._Minh-ha_-_1983_-_Reassemblage.part5.rar&lt;br /&gt; http://rapidshare.com/files/122602412/Trinh_T._Minh-ha_-_1983_-_Reassemblage.part6.rar&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Rar Password: None&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://i36.tinypic.com/2n84ldh.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 424px; height: 536px;" src="http://i36.tinypic.com/2n84ldh.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt; VIDEO: 947 kbs&lt;br /&gt;VIDEO CODEC: XviD&lt;br /&gt;RESOLUTION: 544 x 320&lt;br /&gt;AUDIO: MP3&lt;br /&gt;FRAME RATE: 25 fps&lt;br /&gt;FILE SIZE: 400 mb[/CODE]&lt;br /&gt;&lt;br /&gt; Although this was supposed to have been included in the recent 'Blade Runner' box set, it never made it.&lt;br /&gt;It has also disappeared from the familiar online streaming sites such as GoogleVideo, You Tube etc. ...strange !!!&lt;br /&gt;This is my own rip from it's original 2000 transmission.[/CODE]&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Rating: 7.4/10&lt;br /&gt;Runtime: 52 min&lt;br /&gt;Language: English&lt;br /&gt;Country: UK&lt;br /&gt;Color: Colour&lt;br /&gt;IMDb Link: http://www.imdb.com/title/tt0281011/&lt;br /&gt;&lt;br /&gt;Director: Andrew Abbott&lt;br /&gt;Cast:&lt;br /&gt;Mark Kermode ... Presenter&lt;br /&gt;Brian Aldiss ... Himself&lt;br /&gt;Joanna Cassidy ... Herself&lt;br /&gt;Philip K. Dick ... Himself (archive footage)&lt;br /&gt;Daryl Hannah ... Herself&lt;br /&gt;Rutger Hauer ... Himself&lt;br /&gt;Syd Mead ... Himself&lt;br /&gt;Ridley Scott ... Himself&lt;br /&gt;&lt;br /&gt;Description: Mark Kermodes UK Channel 4 documentary contains pretty much everything you need to know about the troublesome behind the scenes making of 'Blade Runner'.&lt;br /&gt;Including rare deleted scenes and interviews with all the major participants (actors and technicians) with the exception of Sean Young and Harrison Ford... no surprises there!&lt;br /&gt;Although it's clearly obvious Kermode is a huge fan of his subject matter... whether it be The Exorcist , The Devils ...to name just two of his other 'Making Of' docs., he still manages to maintain a degree of objectivity lacking in the usual studio produced 'Behind the Scenes...' included on most DVDs'.&lt;br /&gt;&lt;br /&gt;Download Links:&lt;br /&gt; http://rapidshare.com/files/150083903/OTEOBR.part1.rar&lt;br /&gt; http://rapidshare.com/files/150034654/OTEOBR.part2.rar&lt;br /&gt; http://rapidshare.com/files/150051233/OTEOBR.part3.rar&lt;br /&gt; http://rapidshare.com/files/150062433/OTEOBR.part4.rar&lt;br /&gt; http://rapidshare.com/files/150064034/OTEOBR.part5.rar&lt;br /&gt;&lt;br /&gt;Rar Password: None&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://farm4.static.flickr.com/3118/2923962558_a912e347a5.jpg?v=0"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 415px; height: 405px;" src="http://farm4.static.flickr.com/3118/2923962558_a912e347a5.jpg?v=0" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;New Order Story (1993)&lt;br /&gt;&lt;br /&gt;Rating: 8.9/10&lt;br /&gt;Runtime: 140 min&lt;br /&gt;Language: English&lt;br /&gt;Country: UK&lt;br /&gt;Color: Color&lt;br /&gt;IMDb Link:  http://www.imdb.com/title/tt0137980/&lt;br /&gt;&lt;br /&gt;Director: Kevin Hewitt&lt;br /&gt;Cast:&lt;br /&gt;Arthur Baker ... Himself&lt;br /&gt;John Barnes ... Himself&lt;br /&gt;Colin Bell ... Himself&lt;br /&gt;Karin Berg ... Herself&lt;br /&gt;Bono ... Himself&lt;br /&gt;Ian Curtis ... Himself (archive footage)&lt;br /&gt;Gillian Gilbert ... Herself&lt;br /&gt;Rob Gretton ... Himself&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Description: A longform video chronicling the band's history and music with interviews by Bono, Neil Tennant, Quincy Jones and others.&lt;br /&gt;&lt;br /&gt;Download Links:&lt;br /&gt;http://rapidshare.com/files/69322486/noSTORY.part01.rar&lt;br /&gt;http://rapidshare.com/files/69326932/noSTORY.part02.rar&lt;br /&gt;http://rapidshare.com/files/69331224/noSTORY.part03.rar&lt;br /&gt;http://rapidshare.com/files/69335541/noSTORY.part04.rar&lt;br /&gt;http://rapidshare.com/files/69339262/noSTORY.part05.rar&lt;br /&gt;http://rapidshare.com/files/69342949/noSTORY.part06.rar&lt;br /&gt;http://rapidshare.com/files/69350595/noSTORY.part08.rar&lt;br /&gt;http://rapidshare.com/files/69353783/noSTORY.part09.rar&lt;br /&gt;http://rapidshare.com/files/69369295/noSTORY.part10.rar&lt;br /&gt;http://rapidshare.com/files/69373584/noSTORY.part11.rar&lt;br /&gt;http://rapidshare.com/files/69311438/noSTORY.part12.rar&lt;br /&gt;http://rapidshare.com/files/69316833/noSTORY.part13.rar&lt;br /&gt;http://rapidshare.com/files/69317279/noSTORY.part14.rar&lt;br /&gt;&lt;br /&gt;Rar Password: None&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://i214.photobucket.com/albums/cc258/NicoDGippo/MonsterCamp.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 302px; height: 400px;" src="http://i214.photobucket.com/albums/cc258/NicoDGippo/MonsterCamp.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Monster Camp (2007)&lt;br /&gt;&lt;br /&gt;File size: 700Mb | Dimensions: 624 x 352&lt;br /&gt;Video: 1097kbps XviD | Audio: 123 kb/s mp3&lt;br /&gt;&lt;br /&gt;Official website: http://www.monstercampmovie.com/&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Runtime: 81&lt;br /&gt;Language: English&lt;br /&gt;Country: US&lt;br /&gt;Color: Colour&lt;br /&gt;IMDb Link:  http://www.imdb.com/title/tt0970948/&lt;br /&gt;&lt;br /&gt;Director: Cullen Hoback&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Description: From IMDB:&lt;br /&gt;Welcome to Monster Camp, the true story about a world where people transform into creatures, heroes, and monsters to escape their daily lives. In the vein of Lord of the Rings, World of Warcraft, and Dungeons and Dragons; these enthusiasts have developed a complicated world to bring their fantasies to life. Romantic relationships are forged between characters. Friendships are destroyed over plot disputes. Characters are slain and never return. But keeping this world alive takes a lot of real world work. And unless someone is willing to take charge, the fantasy may be lost forever&lt;br /&gt;&lt;br /&gt;From Wikipedia:&lt;br /&gt;Monster Camp is a feature-length documentary that chronicles a live action role-playing game organization. Monster Camp looks at the lives of the participants, and considers the pro and cons of escapism through fantastical outlets. Director Cullen Hoback documents the fantasy world, following several participants over the course of one year.&lt;br /&gt;&lt;br /&gt;The group followed is a Seattle, Washington chapter of the New England Role Playing Organization (NERO), one of many live-action role-playing organizations in the US. Players create their own identities selecting from a variety of races and classes, similar to Dungeons and Dragons or World of Warcraft. Participants dress up and are involved as either player characters, non-player character, or Plot Members.&lt;br /&gt;&lt;br /&gt;It premiered at the Cinequest Film Festival 17 in 2007, where it received the Audience Award for Best Documentary, and was also featured in the Seattle International Film Festival.&lt;br /&gt;&lt;br /&gt;Download Links:&lt;br /&gt;http://rapidshare.com/files/100290279/MCANSOMTEPR.part1.rar&lt;br /&gt;http://rapidshare.com/files/100298048/MCANSOMTEPR.part2.rar&lt;br /&gt;http://rapidshare.com/files/100305615/MCANSOMTEPR.part3.rar&lt;br /&gt;http://rapidshare.com/files/100313420/MCANSOMTEPR.part4.rar&lt;br /&gt;http://rapidshare.com/files/100321146/MCANSOMTEPR.part5.rar&lt;br /&gt;http://rapidshare.com/files/100328466/MCANSOMTEPR.part6.rar&lt;br /&gt;http://rapidshare.com/files/100335491/MCANSOMTEPR.part7.rar&lt;br /&gt;http://rapidshare.com/files/100336981/MCANSOMTEPR.part8.rar&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Rar Password: None&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2830653173436388758-5920783373999487823?l=4naxismmovement.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://4naxismmovement.blogspot.com/feeds/5920783373999487823/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://4naxismmovement.blogspot.com/2009/03/numerous.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2830653173436388758/posts/default/5920783373999487823'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2830653173436388758/posts/default/5920783373999487823'/><link rel='alternate' type='text/html' href='http://4naxismmovement.blogspot.com/2009/03/numerous.html' title='.........'/><author><name>4NAXISM MOVEMENT</name><uri>http://www.blogger.com/profile/05032826600472126711</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://i34.tinypic.com/2uhxs3k_th.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2830653173436388758.post-7619851093346780971</id><published>2009-03-08T04:47:00.000-04:00</published><updated>2009-03-08T07:08:49.958-04:00</updated><title type='text'>Urban Explorers: into the darkness</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://farm4.static.flickr.com/3523/3289537504_dd039e5a1f_o.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 331px; height: 480px;" src="http://farm4.static.flickr.com/3523/3289537504_dd039e5a1f_o.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;Runtime: 85&lt;br /&gt;Language: English&lt;br /&gt;Country: USA&lt;br /&gt;Color: color&lt;br /&gt;IMDb Link: not listed&lt;br /&gt;&lt;br /&gt;Director: Melody Gilbert&lt;br /&gt;Cast:&lt;br /&gt;Mr. X&lt;br /&gt;Slim Jim&lt;br /&gt;Max Action&lt;br /&gt;Shane&lt;br /&gt;Katwoman&lt;br /&gt;Asylunt&lt;br /&gt;[/CODE]&lt;br /&gt;Description: Documentary. The police think they are terrorists but urban explorers are actually a growing subculture of adventure seekers from around the world, who explore places where most people would never dream of going. They enter rotting buildings, crawl through storm drains and sewer tunnels, wander around faded tourist attractions, and rappel into long forgotten U.S. government sites. Some do it for the thrill of being where they´re not supposed to be and not knowing what lies ahead. Others do it to document history that is about to be demolished. The filmmakers follow them on their "missions" to abandoned mental hospitals, the former "house of the future" in Orlando, and even the catacombs in Paris. Will they get in? What will they find? Will they get arrested?&lt;br /&gt;&lt;br /&gt;Download Links:&lt;br /&gt; http://rapidshare.com/files/115902285/ExUrbi.part1.rar&lt;br /&gt; http://rapidshare.com/files/115906453/ExUrbi.part2.rar&lt;br /&gt; http://rapidshare.com/files/115910120/ExUrbi.part3.rar&lt;br /&gt; http://rapidshare.com/files/115913764/ExUrbi.part4.rar&lt;br /&gt; http://rapidshare.com/files/115916986/ExUrbi.part5.rar&lt;br /&gt; http://rapidshare.com/files/115917696/ExUrbi.part6.rar&lt;br /&gt;&lt;br /&gt;Rar Password: none&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2830653173436388758-7619851093346780971?l=4naxismmovement.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://4naxismmovement.blogspot.com/feeds/7619851093346780971/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://4naxismmovement.blogspot.com/2009/03/urban-explorers-into-darkness.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2830653173436388758/posts/default/7619851093346780971'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2830653173436388758/posts/default/7619851093346780971'/><link rel='alternate' type='text/html' href='http://4naxismmovement.blogspot.com/2009/03/urban-explorers-into-darkness.html' title='Urban Explorers: into the darkness'/><author><name>4NAXISM MOVEMENT</name><uri>http://www.blogger.com/profile/05032826600472126711</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2830653173436388758.post-1223757106699350807</id><published>2009-03-08T04:42:00.000-04:00</published><updated>2009-03-08T07:18:21.765-04:00</updated><title type='text'>The Cats of Mirikitani</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://b.imagehost.org/0201/Mirikitanicover.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 423px; height: 587px;" src="http://b.imagehost.org/0201/Mirikitanicover.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt; Shown at over 20 film festivals, it won the Audience Awards at Tribeca, Washington D.C., and Paris, as well as Best Picture at the Tokyo International Film Festival.&lt;br /&gt;&lt;br /&gt;699mb.&lt;br /&gt;&lt;br /&gt;Runtime: 74&lt;br /&gt;Language: English with some Japanese (eng subs hardcoded where necessary)&lt;br /&gt;Country: USA&lt;br /&gt;Color: Color&lt;br /&gt;IMDb Link: http://www.imdb.com/title/tt0799976/&lt;br /&gt;&lt;br /&gt;Director: Linda Hattendorf&lt;br /&gt;Cast:&lt;br /&gt;Tsutomu "Jimmy" Mirikitani ... himself&lt;br /&gt;Linda Hattendorf ... herself&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;Description: If you are someone who is able to take my word for it that this film is wonderful in every respect and that you simply must watch it, then please stop reading this description right now and download it. The less you know going into the first viewing, the more you'll enjoy it. But if you need further information before making your decision, read on.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:times new roman;"&gt;Jimmy Mirikitani is an 80-year-old Japanese American artist living homeless on the streets of New York City. He makes and sells drawings of cats and other things. Linda Hattendorf, the filmmaker, takes notice and starts filming this strange but somehow remarkable man. He holds a grudge lasting over half a century against the United States government for holding him and thousands of others at the Tule Lake internment camp during WWII, and we discover that every day he also draws picture after picture depicting his memories of camp life. 10 minutes into the film, it seems as if this story has nowhere to develop: Jimmy, for all his energy, is an old man, justifiably bitter, and unlikely to break from his cycle of anger. But the year is 2001, and while the distant past refuses to fade for Jimmy, another event is about to intrude into both his and Linda's lives. When she finds him coughing in the dark as the dust from the collapsed World Trade Center towers descends over his neighborhood, she has to make a choice, and it is that choice that throws open the world of the film wider and more beautifully than most films can even imagine.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:times new roman;"&gt;To me, this is the first truly transcendent piece of art to emerge since motion picture media was digitally democratized and filmmaking became an art available to all. The use of small no-budget digital cameras allowed The Cats of Mirikitani to become one of the most personal, funny, and touching films I've ever seen. But this film also manages the noble task of telling the story of two of the most transformative events in American history - the internment of Japanese-Americans in camps during the Second World War, and the similar fear and disorientation that accompanied the attack on the World Trade Center and its aftermath. Jimmy Mirikitani is the charismatic, fiesty, and instantly wonderful real-life character that bridges these two events and provides characteristic critique and clarity on the full scope of the history that he has lived. And Linda Hattendorf is the New Yorker from Ohio who had the presence of mind to switch on a camera and keep it running - and not only that, but also the necessary compassion to risk her film and her story to do the right thing. For it, she, Jimmy, and the rest of us were rewarded with a story that exceeds all expectations.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:times new roman;"&gt;Shot for next to nothing and edited in a crisp, expert manner, this is the rare documentary that discovers life in a state of disrepair but leaves it in a state of joy. Reflexively, the act of making the film becomes a way of comprehending the past as well as transforming the future for the better, and for this The Cats of Mirikitani deserves far more praise than it has yet received. It has the vision and the courage not to simply wallow in angst, despair, and ennui, but to blaze a trail out of it. Repeat viewings only enhance the wonder one must have for the film and the filmmaker, as well as for Jimmy, his art, and his story. A must see whether you love or hate documentary; this film will win you over, and in the words of a more prominent critic than I, "may well wipe you out."&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Download Links:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;http://rapidshare.com/files/142377876/The_Cats_of_Mirikitani__Hattendorf__2006_.part1.rar.html&lt;br /&gt;http://rapidshare.com/files/142384679/The_Cats_of_Mirikitani__Hattendorf__2006_.part2.rar.html&lt;br /&gt;http://rapidshare.com/files/142391823/The_Cats_of_Mirikitani__Hattendorf__2006_.part3.rar.html&lt;br /&gt;http://rapidshare.com/files/142398378/The_Cats_of_Mirikitani__Hattendorf__2006_.part4.rar.html&lt;br /&gt;http://rapidshare.com/files/142404798/The_Cats_of_Mirikitani__Hattendorf__2006_.part5.rar.html&lt;br /&gt;http://rapidshare.com/files/142423365/The_Cats_of_Mirikitani__Hattendorf__2006_.part6.rar.html&lt;br /&gt;http://rapidshare.com/files/142431179/The_Cats_of_Mirikitani__Hattendorf__2006_.part7.rar.html&lt;br /&gt;http://rapidshare.com/files/142433263/The_Cats_of_Mirikitani__Hattendorf__2006_.part8.rar.html&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Rar Password: None&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2830653173436388758-1223757106699350807?l=4naxismmovement.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://4naxismmovement.blogspot.com/feeds/1223757106699350807/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://4naxismmovement.blogspot.com/2009/03/cats-of-mirikitani.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2830653173436388758/posts/default/1223757106699350807'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2830653173436388758/posts/default/1223757106699350807'/><link rel='alternate' type='text/html' href='http://4naxismmovement.blogspot.com/2009/03/cats-of-mirikitani.html' title='The Cats of Mirikitani'/><author><name>4NAXISM MOVEMENT</name><uri>http://www.blogger.com/profile/05032826600472126711</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2830653173436388758.post-4981138181637187278</id><published>2009-03-08T04:37:00.001-04:00</published><updated>2009-03-08T07:22:55.527-04:00</updated><title type='text'>D.I.Y. or Die: How to Survive as an Independent Artist (2002)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.spazshare.com/files/15212DIY.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 200px; height: 269px;" src="http://www.spazshare.com/files/15212DIY.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Rating: 7.5/10&lt;br /&gt;Runtime: 55 min&lt;br /&gt;Language: English&lt;br /&gt;Country: USA&lt;br /&gt;Color: Color&lt;br /&gt;IMDb Link:  http://imdb.com/title/tt0397380/&lt;br /&gt;&lt;br /&gt;Director: Michael W. Dean&lt;br /&gt;&lt;br /&gt;Cast:&lt;br /&gt;Ron Asheton ...Interviewee&lt;br /&gt;Lynn Breedlove ...Interviewee&lt;br /&gt;Richard Kern ...Interviewee&lt;br /&gt;Beth Lisick ...Interviewee&lt;br /&gt;Lydia Lunch ...Interviewee&lt;br /&gt;Ian MacKaye ...Interviewee&lt;br /&gt;Lil Mike Martzke ...Himself - Interviewee&lt;br /&gt;Jim Rose ...Interviewee&lt;br /&gt;Madigan Shive ...Interviewee&lt;br /&gt;Mike Watt ...Interviewee&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms; font-weight: bold; color: rgb(51, 153, 153);"&gt;Description: This movie is not "Making Art for Dummies." This movie is more appropriately "Go Out and Make Some Art, You Dummy!" If you are a creative person, or you think that you may be a creative person, then you need to see this movie, and then you have to go and do something about it. This film is an inspiration to me, and will be an inspiration to anyone who struggles with the demon of creation. There are many cool people that I had heard of in the movie. Everyone in it, whether famous or yet to be famous, has something important to say to you, the viewer. It is an amazing message, and it should spark an outpouring of creativity and art in any and all who view it. I know that it did in me. Now I have to get back to making my own damn movie!&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Download Links:&lt;br /&gt; http://rapidshare.com/files/59249353/diy.part1.rar&lt;br /&gt; http://rapidshare.com/files/59282797/diy.part2.rar&lt;br /&gt; http://rapidshare.com/files/59309829/diy.part3.rar&lt;br /&gt; http://rapidshare.com/files/59337356/diy.part4.rar&lt;br /&gt; http://rapidshare.com/files/59343529/diy.part5.rar&lt;br /&gt;&lt;br /&gt;Rar Password: none&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2830653173436388758-4981138181637187278?l=4naxismmovement.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://4naxismmovement.blogspot.com/feeds/4981138181637187278/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://4naxismmovement.blogspot.com/2009/03/diy-or-die-how-to-survive-as.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2830653173436388758/posts/default/4981138181637187278'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2830653173436388758/posts/default/4981138181637187278'/><link rel='alternate' type='text/html' href='http://4naxismmovement.blogspot.com/2009/03/diy-or-die-how-to-survive-as.html' title='D.I.Y. or Die: How to Survive as an Independent Artist (2002)'/><author><name>4NAXISM MOVEMENT</name><uri>http://www.blogger.com/profile/05032826600472126711</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2830653173436388758.post-533636357911925669</id><published>2009-03-08T04:33:00.001-04:00</published><updated>2009-03-08T07:25:31.800-04:00</updated><title type='text'>Manda Bala aka. Send A Bullet (2007)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://i29.tinypic.com/inho2x.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 226px; height: 333px;" src="http://i29.tinypic.com/inho2x.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;An examination of corruption and class warfare in Brazil as told through the stories of a wealthy businessman, a plastic surgeon who assists kidnapping victims and a politician whose income relies on a frog farm.&lt;br /&gt;&lt;br /&gt;Sundance Film Festival 2007&lt;br /&gt;Cinematography Award (Documentary)&lt;br /&gt;Heloísa Passos&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Grand Jury Prize (Documentary)&lt;br /&gt;Jason Kohn&lt;br /&gt;&lt;br /&gt;INFO&lt;br /&gt;&lt;br /&gt; http://imdb.com/title/tt0912590/&lt;br /&gt;&lt;br /&gt;Download Link&lt;br /&gt;&lt;br /&gt;http://www.megaupload.com/?d=7VLUYMEW&lt;br /&gt; http://www.megaupload.com/?d=S09VEUTE&lt;br /&gt; http://www.megaupload.com/?d=ABSAVCES&lt;br /&gt; http://www.megaupload.com/?d=9E8O5URT&lt;br /&gt; http://www.megaupload.com/?d=01RX1FQ2&lt;br /&gt; http://www.megaupload.com/?d=RZYL4T5Z&lt;br /&gt; http://www.megaupload.com/?d=S09VEUTE&lt;br /&gt; http://www.megaupload.com/?d=TL10F9SO&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2830653173436388758-533636357911925669?l=4naxismmovement.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://4naxismmovement.blogspot.com/feeds/533636357911925669/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://4naxismmovement.blogspot.com/2009/03/manda-bala-aka-send-bullet-2007.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2830653173436388758/posts/default/533636357911925669'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2830653173436388758/posts/default/533636357911925669'/><link rel='alternate' type='text/html' href='http://4naxismmovement.blogspot.com/2009/03/manda-bala-aka-send-bullet-2007.html' title='Manda Bala aka. Send A Bullet (2007)'/><author><name>4NAXISM MOVEMENT</name><uri>http://www.blogger.com/profile/05032826600472126711</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://i29.tinypic.com/inho2x_th.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2830653173436388758.post-8842811188737916111</id><published>2009-03-08T04:24:00.001-04:00</published><updated>2009-03-08T04:29:43.566-04:00</updated><title type='text'></title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://i42.tinypic.com/21cw9r5.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 500px; height: 500px;" src="http://i42.tinypic.com/21cw9r5.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://i42.tinypic.com/2nsuzoj.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 958px; height: 440px;" src="http://i42.tinypic.com/2nsuzoj.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;“Art:21–Art in the Twenty-First Century” is the only series on television to focus exclusively on contemporary visual art and artists in the United States, and it uses the medium of television to provide an experience of the visual arts that goes far beyond a gallery visit. Fascinating and intimate footage allows the viewer to observe the artists at work, watch their process as they transform inspiration into art, and hear their thoughts as they grapple with the physical and visual challenges of achieving their artistic visions.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;[size="5"][color="#FF0000"]Season One (2001)[/color][/size]&lt;br /&gt;&lt;br /&gt;[IMG]http://i42.tinypic.com/21cw9r5.jpg[/IMG]&lt;br /&gt;&lt;br /&gt;Episode 1 - "Place" Hosted by Laurie Anderson&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://i40.tinypic.com/14b703b.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 958px; height: 452px;" src="http://i40.tinypic.com/14b703b.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;[IMG]http://i40.tinypic.com/14b703b.jpg[/IMG]&lt;br /&gt;&lt;br /&gt;[code]http://rapidshare.com/files/173962766/PBSA21S1E01.part1.rar&lt;br /&gt;http://rapidshare.com/files/173970249/PBSA21S1E01.part2.rar&lt;br /&gt;http://rapidshare.com/files/173977883/PBSA21S1E01.part3.rar&lt;br /&gt;http://rapidshare.com/files/173985491/PBSA21S1E01.part4.rar&lt;br /&gt;http://rapidshare.com/files/173992691/PBSA21S1E01.part5.rar[/code]&lt;br /&gt;&lt;br /&gt;Episode 2 - "Spirituality" Hosted by S. Epatha Merkerson&lt;br /&gt;&lt;br /&gt;[IMG]http://i41.tinypic.com/dvsjzl.jpg[/IMG]&lt;br /&gt;&lt;br /&gt;[code]http://rapidshare.com/files/174000255/PBSA21S1E02.part1.rar&lt;br /&gt;http://rapidshare.com/files/174007331/PBSA21S1E02.part2.rar&lt;br /&gt;http://rapidshare.com/files/174013849/PBSA21S1E02.part3.rar&lt;br /&gt;http://rapidshare.com/files/174020278/PBSA21S1E02.part4.rar&lt;br /&gt;http://rapidshare.com/files/174026603/PBSA21S1E02.part5.rar[/code]&lt;br /&gt;&lt;br /&gt;Episode 3 - "Identity" Hosted by Steve Martin&lt;br /&gt;&lt;br /&gt;[IMG]http://i41.tinypic.com/e9by9h.jpg[/IMG]&lt;br /&gt;&lt;br /&gt;[code]http://rapidshare.com/files/174033588/PBSA21S1E03.part1.rar&lt;br /&gt;http://rapidshare.com/files/174040345/PBSA21S1E03.part2.rar&lt;br /&gt;http://rapidshare.com/files/174046702/PBSA21S1E03.part3.rar&lt;br /&gt;http://rapidshare.com/files/174052281/PBSA21S1E03.part4.rar&lt;br /&gt;http://rapidshare.com/files/174057687/PBSA21S1E03.part5.rar[/code]&lt;br /&gt;&lt;br /&gt;Episode 4 - "Consumption" Hosted by John McEnroe&lt;br /&gt;&lt;br /&gt;[IMG]http://i44.tinypic.com/5eeelx.jpg[/IMG]&lt;br /&gt;&lt;br /&gt;[code]http://rapidshare.com/files/174063136/PBSA21S1E04.part1.rar&lt;br /&gt;http://rapidshare.com/files/174068825/PBSA21S1E04.part2.rar&lt;br /&gt;http://rapidshare.com/files/174073928/PBSA21S1E04.part3.rar&lt;br /&gt;http://rapidshare.com/files/174078730/PBSA21S1E04.part4.rar&lt;br /&gt;http://rapidshare.com/files/174083565/PBSA21S1E04.part5.rar[/code]&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;[size="5"][color="#FF0000"]Season Two (2003)[/color][/size]&lt;br /&gt;&lt;br /&gt;Episode 1 - "Stories" Hosted by John Waters&lt;br /&gt;&lt;br /&gt;[IMG]http://i44.tinypic.com/28thro3.jpg[/IMG]&lt;br /&gt;&lt;br /&gt;[code]http://rapidshare.com/files/174203786/PBSA21S2E01.part1.rar&lt;br /&gt;http://rapidshare.com/files/174209804/PBSA21S2E01.part2.rar&lt;br /&gt;http://rapidshare.com/files/174216001/PBSA21S2E01.part3.rar&lt;br /&gt;http://rapidshare.com/files/174222063/PBSA21S2E01.part4.rar&lt;br /&gt;http://rapidshare.com/files/174228298/PBSA21S2E01.part5.rar[/code]&lt;br /&gt;&lt;br /&gt;Episode 2 - "Loss and Desire" Hosted by Jane Alexander&lt;br /&gt;&lt;br /&gt;[IMG]http://i44.tinypic.com/mwbr49.jpg[/IMG]&lt;br /&gt;&lt;br /&gt;[code]http://rapidshare.com/files/174234390/PBSA21S2E02.part1.rar&lt;br /&gt;http://rapidshare.com/files/174240577/PBSA21S2E02.part2.rar&lt;br /&gt;http://rapidshare.com/files/174246783/PBSA21S2E02.part3.rar&lt;br /&gt;http://rapidshare.com/files/174253201/PBSA21S2E02.part4.rar&lt;br /&gt;http://rapidshare.com/files/174259990/PBSA21S2E02.part5.rar[/code]&lt;br /&gt;&lt;br /&gt;Episode 3 - "Time" Hosted By Merce Cunningham&lt;br /&gt;&lt;br /&gt;[IMG]http://i41.tinypic.com/4lhvtg.jpg[/IMG]&lt;br /&gt;&lt;br /&gt;[code]http://rapidshare.com/files/174266523/PBSA21S2E03.part1.rar&lt;br /&gt;http://rapidshare.com/files/174273215/PBSA21S2E03.part2.rar&lt;br /&gt;http://rapidshare.com/files/174280105/PBSA21S2E03.part3.rar&lt;br /&gt;http://rapidshare.com/files/174286770/PBSA21S2E03.part4.rar&lt;br /&gt;http://rapidshare.com/files/174293585/PBSA21S2E03.part5.rar[/code]&lt;br /&gt;&lt;br /&gt;Episode 4 - "Humor" Hosted by Margaret Cho&lt;br /&gt;&lt;br /&gt;[IMG]http://i42.tinypic.com/18nn8o.jpg[/IMG]&lt;br /&gt;&lt;br /&gt;[code]http://rapidshare.com/files/174300393/PBSA21S2E04.part1.rar&lt;br /&gt;http://rapidshare.com/files/174307627/PBSA21S2E04.part2.rar&lt;br /&gt;http://rapidshare.com/files/174314428/PBSA21S2E04.part3.rar&lt;br /&gt;http://rapidshare.com/files/174321096/PBSA21S2E04.part4.rar&lt;br /&gt;http://rapidshare.com/files/174327731/PBSA21S2E04.part5.rar[/code]&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;[color="#FF0000"][size="5"]Season Three (2005)[/size][/color]&lt;br /&gt;&lt;br /&gt;[IMG]http://i39.tinypic.com/1hb4n6.jpg[/IMG]&lt;br /&gt;&lt;br /&gt;Episode 1 - "Power" Hosted by David Alan Grier&lt;br /&gt;&lt;br /&gt;[IMG]http://i39.tinypic.com/addt2g.jpg[/IMG]&lt;br /&gt;&lt;br /&gt;[code]http://rapidshare.com/files/171970869/PBSA21S3E01.part1.rar&lt;br /&gt;http://rapidshare.com/files/171973956/PBSA21S3E01.part2.rar&lt;br /&gt;http://rapidshare.com/files/171977353/PBSA21S3E01.part3.rar&lt;br /&gt;http://rapidshare.com/files/171980787/PBSA21S3E01.part4.rar&lt;br /&gt;http://rapidshare.com/files/171984345/PBSA21S3E01.part5.rar[/code]&lt;br /&gt;&lt;br /&gt;Episode 2 - "Memory" Hosted by Isabella Rossellini&lt;br /&gt;&lt;br /&gt;[IMG]http://i39.tinypic.com/fuza02.jpg[/IMG]&lt;br /&gt;&lt;br /&gt;[code]http://rapidshare.com/files/171988078/PBSA21S3E02.part1.rar&lt;br /&gt;http://rapidshare.com/files/171991827/PBSA21S3E02.part2.rar&lt;br /&gt;http://rapidshare.com/files/171995878/PBSA21S3E02.part3.rar&lt;br /&gt;http://rapidshare.com/files/172000165/PBSA21S3E02.part4.rar&lt;br /&gt;http://rapidshare.com/files/172004618/PBSA21S3E02.part5.rar[/code]&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Episode 3 - "Structures" Hosted by Sam Waterston&lt;br /&gt;&lt;br /&gt;[IMG]http://i42.tinypic.com/o925o1.jpg[/IMG]&lt;br /&gt;&lt;br /&gt;[code]http://rapidshare.com/files/172009271/PBSA21S3E03.part1.rar&lt;br /&gt;http://rapidshare.com/files/172014269/PBSA21S3E03.part2.rar&lt;br /&gt;http://rapidshare.com/files/172019360/PBSA21S3E03.part3.rar&lt;br /&gt;http://rapidshare.com/files/172024911/PBSA21S3E03.part4.rar&lt;br /&gt;http://rapidshare.com/files/172030183/PBSA21S3E03.part5.rar[/code]&lt;br /&gt;&lt;br /&gt;Episode 4 - "Play" Hosted by Grant Hill&lt;br /&gt;&lt;br /&gt;[IMG]http://i40.tinypic.com/2q83382.jpg[/IMG]&lt;br /&gt;&lt;br /&gt;[code]http://rapidshare.com/files/172035820/PBSA21S3E04.part1.rar&lt;br /&gt;http://rapidshare.com/files/172041331/PBSA21S3E04.part2.rar&lt;br /&gt;http://rapidshare.com/files/172047174/PBSA21S3E04.part3.rar&lt;br /&gt;http://rapidshare.com/files/172053232/PBSA21S3E04.part4.rar&lt;br /&gt;http://rapidshare.com/files/172059600/PBSA21S3E04.part5.rar[/code]&lt;br /&gt;&lt;br /&gt;[size="5"][color="#FF0000"]Season Four (2007)[/color][/size]&lt;br /&gt;&lt;br /&gt;[IMG]http://i41.tinypic.com/2cqfipc.jpg[/IMG]&lt;br /&gt;&lt;br /&gt;Episode 1 - "Romance"&lt;br /&gt;&lt;br /&gt;[IMG]http://i44.tinypic.com/35hpsm9.jpg[/IMG]&lt;br /&gt;&lt;br /&gt;[code]http://rapidshare.com/files/172417563/PBSA21S4E01.part1.rar&lt;br /&gt;http://rapidshare.com/files/172424719/PBSA21S4E01.part2.rar&lt;br /&gt;http://rapidshare.com/files/172431786/PBSA21S4E01.part3.rar&lt;br /&gt;http://rapidshare.com/files/172438803/PBSA21S4E01.part4.rar&lt;br /&gt;http://rapidshare.com/files/172445479/PBSA21S4E01.part5.rar[/code]&lt;br /&gt;&lt;br /&gt;Episode 2 - "Protest"&lt;br /&gt;&lt;br /&gt;[IMG]http://i42.tinypic.com/14w5d03.jpg[/IMG]&lt;br /&gt;&lt;br /&gt;[code]http://rapidshare.com/files/172452012/PBSA21S4E02.part1.rar&lt;br /&gt;http://rapidshare.com/files/172458336/PBSA21S4E02.part2.rar&lt;br /&gt;http://rapidshare.com/files/172464802/PBSA21S4E02.part3.rar&lt;br /&gt;http://rapidshare.com/files/172471482/PBSA21S4E02.part4.rar&lt;br /&gt;http://rapidshare.com/files/172478631/PBSA21S4E02.part5.rar[/code]&lt;br /&gt;&lt;br /&gt;Episode 3 - "Ecology"&lt;br /&gt;&lt;br /&gt;[IMG]http://i40.tinypic.com/2r3l30l.jpg[/IMG]&lt;br /&gt;&lt;br /&gt;[code]http://rapidshare.com/files/172487231/PBSA21S4E03.part1.rar&lt;br /&gt;http://rapidshare.com/files/172493365/PBSA21S4E03.part2.rar&lt;br /&gt;http://rapidshare.com/files/172499469/PBSA21S4E03.part3.rar&lt;br /&gt;http://rapidshare.com/files/172505363/PBSA21S4E03.part4.rar&lt;br /&gt;http://rapidshare.com/files/172511115/PBSA21S4E03.part5.rar[/code]&lt;br /&gt;&lt;br /&gt;Episode 4 - "Paradox"&lt;br /&gt;&lt;br /&gt;[IMG]http://i42.tinypic.com/2nsuzoj.jpg[/IMG]&lt;br /&gt;&lt;br /&gt;[code]http://rapidshare.com/files/172516565/PBSA21S4E04.part1.rar&lt;br /&gt;http://rapidshare.com/files/172522381/PBSA21S4E04.part2.rar&lt;br /&gt;http://rapidshare.com/files/172528148/PBSA21S4E04.part3.rar&lt;br /&gt;http://rapidshare.com/files/172533906/PBSA21S4E04.part4.rar&lt;br /&gt;http://rapidshare.com/files/172539753/PBSA21S4E04.part5.rar[/code]&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2830653173436388758-8842811188737916111?l=4naxismmovement.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://4naxismmovement.blogspot.com/feeds/8842811188737916111/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://4naxismmovement.blogspot.com/2009/03/art21art-in-twenty-first-century-is.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2830653173436388758/posts/default/8842811188737916111'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2830653173436388758/posts/default/8842811188737916111'/><link rel='alternate' type='text/html' href='http://4naxismmovement.blogspot.com/2009/03/art21art-in-twenty-first-century-is.html' title=''/><author><name>4NAXISM MOVEMENT</name><uri>http://www.blogger.com/profile/05032826600472126711</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://i42.tinypic.com/21cw9r5_th.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2830653173436388758.post-8403438088018868297</id><published>2009-03-08T00:30:00.000-05:00</published><updated>2009-03-08T00:48:43.314-05:00</updated><title type='text'>The London Underground  (BBC)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_bP_TFnsE9Qg/SbNZ4t09N8I/AAAAAAAAAAk/HBWOwz1bxvI/s1600-h/76737037_522926245e_b.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 320px;" src="http://1.bp.blogspot.com/_bP_TFnsE9Qg/SbNZ4t09N8I/AAAAAAAAAAk/HBWOwz1bxvI/s320/76737037_522926245e_b.jpg" alt="" id="BLOGGER_PHOTO_ID_5310687216509204418" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_bP_TFnsE9Qg/SbNZ4RF6ruI/AAAAAAAAAAc/kEsTiu7ykZ0/s1600-h/1240345952_efdd6f0c1d_b.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 214px; height: 320px;" src="http://1.bp.blogspot.com/_bP_TFnsE9Qg/SbNZ4RF6ruI/AAAAAAAAAAc/kEsTiu7ykZ0/s320/1240345952_efdd6f0c1d_b.jpg" alt="" id="BLOGGER_PHOTO_ID_5310687208795713250" border="0" /&gt;&lt;/a&gt;&lt;span style="color: rgb(0, 0, 0);font-family:Trebuchet MS,arial,helvetica,sans-serif;font-size:85%;" class="postxt"  &gt;&lt;p&gt;The London Underground map is a classic 20th Century design and has a great history of its own. It was devised in the 1930s and yet is still used today with few modifications. Harry Beck, the designer of the map in 1933, was only paid five guineas for his original job. The only official acknowledgment he received is a plaque at Finchley Station. The poor man worked on it throughout his life, trying to improve and modify it, and that's all the thanks he got... a plaque at Finchley Central Station.&lt;/p&gt;&lt;p&gt;His map was originally rejected by the powers that be at &lt;a class="pos" target="_top" href="http://www.bbc.co.uk/go/dna/h2g2/A673517/ext/_auto/-/http://www.tfl.gov.uk/"&gt;London Transport&lt;/a&gt;&lt;a class="pos" title="The organisation that runs the London Underground." name="back1" href="http://www.bbc.co.uk/dna/h2g2/A673517#footnote1"&gt;&lt;span class="pos"  style="font-size:85%;"&gt;&lt;sup&gt;1&lt;/sup&gt;&lt;/span&gt;&lt;/a&gt;, mainly because it was not geographical. Indeed he enlarged the central areas and compressed the outer areas to make the whole complex map clearer. The map proved to be a great hit with the public and most other major cities (including &lt;a class="pos" target="_top" href="http://www.bbc.co.uk/dna/h2g2/A199389"&gt;New York&lt;/a&gt;, St Petersburg and Sydney) used his map as the basis for their own underground maps.&lt;/p&gt;&lt;/span&gt;&lt;a href="http://www.megaupload.com/?d=K175FNHU"&gt;http://www.megaupload.com/?d=K175FNHU&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2830653173436388758-8403438088018868297?l=4naxismmovement.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://4naxismmovement.blogspot.com/feeds/8403438088018868297/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://4naxismmovement.blogspot.com/2009/03/london-underground-bbc.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2830653173436388758/posts/default/8403438088018868297'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2830653173436388758/posts/default/8403438088018868297'/><link rel='alternate' type='text/html' href='http://4naxismmovement.blogspot.com/2009/03/london-underground-bbc.html' title='The London Underground  (BBC)'/><author><name>4NAXISM MOVEMENT</name><uri>http://www.blogger.com/profile/05032826600472126711</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_bP_TFnsE9Qg/SbNZ4t09N8I/AAAAAAAAAAk/HBWOwz1bxvI/s72-c/76737037_522926245e_b.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2830653173436388758.post-7447949268322582199</id><published>2009-03-07T22:23:00.000-05:00</published><updated>2009-03-08T00:29:59.232-05:00</updated><title type='text'>Richard Feynman Collection</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_bP_TFnsE9Qg/SbNWEkCkVLI/AAAAAAAAAAU/AQNKIxuz9Vw/s1600-h/2878587145_ddcbd687f1_o.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 290px; height: 400px;" src="http://4.bp.blogspot.com/_bP_TFnsE9Qg/SbNWEkCkVLI/AAAAAAAAAAU/AQNKIxuz9Vw/s400/2878587145_ddcbd687f1_o.jpg" alt="" id="BLOGGER_PHOTO_ID_5310683021993858226" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_bP_TFnsE9Qg/SbNWEdmEdfI/AAAAAAAAAAM/DY-lHx3uHzU/s1600-h/217559669_1c380fbc5f_o.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 251px; height: 400px;" src="http://3.bp.blogspot.com/_bP_TFnsE9Qg/SbNWEdmEdfI/AAAAAAAAAAM/DY-lHx3uHzU/s400/217559669_1c380fbc5f_o.jpg" alt="" id="BLOGGER_PHOTO_ID_5310683020263716338" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold; font-family: courier new;"&gt;Audio Book&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=2WAGYW70"&gt;http://www.megaupload.com/?d=2WAGYW70&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;PDF companion book&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=CYAIZUAV"&gt;http://www.megaupload.com/?d=CYAIZUAV&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2830653173436388758-7447949268322582199?l=4naxismmovement.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://4naxismmovement.blogspot.com/feeds/7447949268322582199/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://4naxismmovement.blogspot.com/2009/03/richard-feynman-collection.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2830653173436388758/posts/default/7447949268322582199'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2830653173436388758/posts/default/7447949268322582199'/><link rel='alternate' type='text/html' href='http://4naxismmovement.blogspot.com/2009/03/richard-feynman-collection.html' title='Richard Feynman Collection'/><author><name>4NAXISM MOVEMENT</name><uri>http://www.blogger.com/profile/05032826600472126711</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_bP_TFnsE9Qg/SbNWEkCkVLI/AAAAAAAAAAU/AQNKIxuz9Vw/s72-c/2878587145_ddcbd687f1_o.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2830653173436388758.post-9058453677732927597</id><published>2009-03-03T02:29:00.001-05:00</published><updated>2009-03-03T02:44:03.291-05:00</updated><title type='text'>Documentary: JISOE</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.blogger.com/%20http://img76.imageshack.us/img76/2037/jisoegj3.jpg%20"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 800px; height: 724px;" src="http://img76.imageshack.us/img76/2037/jisoegj3.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.blogger.com/%20http://img360.imageshack.us/img360/1025/jisoeoe6.jpg%20"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 576px; height: 161px;" src="http://img360.imageshack.us/img360/1025/jisoeoe6.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);font-size:130%;" &gt;&lt;br /&gt;Jisoe - Australian Graffiti Documentary that follows the life of Justin Hughes &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;span style="color: rgb(0, 0, 0);font-size:85%;" &gt;Jisoe is a compelling observational documentary that exposes the underbelly of&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:85%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:85%;" &gt;Australian culture rarely explored by mainstream cinema. Set in Melbourne’s harsh&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:85%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:85%;" &gt;underground graffiti scene this provocative film exposes for the first time how this&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:85%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:85%;" &gt;international culture has carved its own identity in Australian suburbia.&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:85%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:85%;" &gt;&lt;br /&gt;The film is centred around the life of Justin Hughes (aka Jisoe), a young graffiti artist and&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:85%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:85%;" &gt;part of an emerging Australian underclass. The story swings between Justin’s gritty daily&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:85%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:85%;" &gt;existence of painting trains and smoking drugs, to sharing intimate and emotional&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:85%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:85%;" &gt;snapshots of Justin’s life including the birth of his new baby, the degradation of his&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:85%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:85%;" &gt;relationship and his eventual mental breakdown.&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:85%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:85%;" &gt;&lt;br /&gt;&lt;br /&gt;Although the film is set with a backdrop of ambitious graffiti art and a soundtrack of&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:85%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:85%;" &gt;original local Hip Hop, Jisoe is much more than just a portrait of the Melbourne graffiti&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:85%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:85%;" &gt;scene. It is moreover a candid human story that challenges the audience to consider an&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:85%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:85%;" &gt;emerging Australian underclass who are both angry and disillusioned with their place in&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:85%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:85%;" &gt;society. Told with an honesty only to match the honesty of the subject, Jisoe is social&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:85%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:85%;" &gt;commentary at it’s best.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;Download links&lt;br /&gt;http://rapidshare.com/files/121037301/Jisoe.part1.rar&lt;br /&gt;http://rapidshare.com/files/121048574/Jisoe.part2.rar&lt;br /&gt;http://rapidshare.com/files/121058959/Jisoe.part3.rar&lt;br /&gt;http://rapidshare.com/files/121086040/Jisoe.part4.rar&lt;br /&gt;http://rapidshare.com/files/121093360/Jisoe.part5.rar&lt;br /&gt;http://rapidshare.com/files/121096111/Jisoe.part6.rar&lt;br /&gt;&lt;br /&gt;Password:&lt;br /&gt;thec0re.net&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2830653173436388758-9058453677732927597?l=4naxismmovement.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://4naxismmovement.blogspot.com/feeds/9058453677732927597/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://4naxismmovement.blogspot.com/2009/03/center-imghttpimg360.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2830653173436388758/posts/default/9058453677732927597'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2830653173436388758/posts/default/9058453677732927597'/><link rel='alternate' type='text/html' href='http://4naxismmovement.blogspot.com/2009/03/center-imghttpimg360.html' title='Documentary: JISOE'/><author><name>4NAXISM MOVEMENT</name><uri>http://www.blogger.com/profile/05032826600472126711</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2830653173436388758.post-7189508917753392967</id><published>2009-03-02T20:47:00.000-05:00</published><updated>2009-03-02T20:49:30.700-05:00</updated><title type='text'>Persepolis Collection</title><content type='html'>&lt;span style="font-weight: bold; color: rgb(204, 0, 0);"&gt;download link for text links&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://rapidshare.com/files/204631634/2009-03-02-4NAXISM.txt"&gt;http://rapidshare.com/files/204631634/2009-03-02-4NAXISM.txt&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2830653173436388758-7189508917753392967?l=4naxismmovement.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://4naxismmovement.blogspot.com/feeds/7189508917753392967/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://4naxismmovement.blogspot.com/2009/03/persepolis-collection_02.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2830653173436388758/posts/default/7189508917753392967'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2830653173436388758/posts/default/7189508917753392967'/><link rel='alternate' type='text/html' href='http://4naxismmovement.blogspot.com/2009/03/persepolis-collection_02.html' title='Persepolis Collection'/><author><name>4NAXISM MOVEMENT</name><uri>http://www.blogger.com/profile/05032826600472126711</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2830653173436388758.post-4835089154845850420</id><published>2009-02-27T05:40:00.000-05:00</published><updated>2009-02-27T05:45:41.902-05:00</updated><title type='text'>TrashOut: The American Way</title><content type='html'>This is sad, so sad. Why did people leave behind all those pressed wood tables?&lt;br /&gt;&lt;br /&gt;&lt;a href="http://consumerist.com/5160385/what-happens-to-this-stuff-left-in-a-foreclosed-house"&gt;http://consumerist.com/5160385/what-happens-to-this-stuff-left-in-a-foreclosed-house&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2830653173436388758-4835089154845850420?l=4naxismmovement.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://4naxismmovement.blogspot.com/feeds/4835089154845850420/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://4naxismmovement.blogspot.com/2009/02/trashout-american-way.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2830653173436388758/posts/default/4835089154845850420'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2830653173436388758/posts/default/4835089154845850420'/><link rel='alternate' type='text/html' href='http://4naxismmovement.blogspot.com/2009/02/trashout-american-way.html' title='TrashOut: The American Way'/><author><name>4NAXISM MOVEMENT</name><uri>http://www.blogger.com/profile/05032826600472126711</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>
